Attack control

ENVELOPE FILTER PEDALE A G E N A E N V E L O P E F I L T E R The Maestro Agena Envelope Filter pedal is designed for ease of use and is tailored for optimized dynamic control. The Agena offers two distinct filter frequency options for a wide range of tonal possibilities. Musical and inspiring, it will surely bring on the funk. This all-analog pedal boasts a two-position Mode toggle switch for increased sonic versatility. The LO mode setting focuses the filter in a lower frequency range, while the HI mode emphasizes a higher range of frequencies. The intuitive 3-knob control layout lets users quickly set the desired Sense (the envelopeb'/xe2/x80/x99's sensitivity and response to your picking attack), control the Attack (how fast the filter increases or opens up), and adjust the Decay and how long the filter stays in the open position. The true bypass footswitch triggers the LED lights in the bugles in theb'/xc2/xa0' Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.

FUZZ-TONE FZ-M PEDALE FUZZ A Direct Descendant of the Very First Fuzz Pedal Maestro created the worldb'/xe2/x80/x99's first fuzz pedal b'/xe2/x80/x93' the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965b'/xe2/x80/x99's (I Canb'/xe2/x80/x99't Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.

Subsequent 37 b'/xc3/xa8' un sintetizzatore analogico parafonico (2-note) realizzato da Moogb'/xc2/xa0' sullb'/xe2/x80/x99'architettura pluri premiata del potentissimo Sub 37 Tribute Edition. Sul pannello di controllo si trovano 40 potenziometri e 74 selettori che vi daranno un immediato controllo su una vasta gamma di tools per il sound design analogico e il controllo del sequencer. Ogni miglioramento del nuovob'/xc2/xa0' Subseq uent 37,b'/xc2/xa0' mantiene la magia e le caratteristiche del suo predecessore, offrendo allo stesso tempo accesso a nuove dimensioni di sonoritb'/xc3/xa0' e una suonabilitb'/xc3/xa0' migliorata. La sezione mixer del Subsequent 37 offre il doppio di headroom del Sub 37 Tribute Edition. Questo consentirb'/xc3/xa0' di accedere ad una nuova gamma di suonoritb'/xc3/xa0' classiche pulite sia in modalitb'/xc3/xa0' mono che duo. Sfruttando la nuova flessibilitb'/xc3/xa0' del mixer, lo stage di guadagno nel filtro Ladder b'/xc3/xa8' stato ridisegnato per aumentare la saturazione armonica e la compressione analogica, che porta ad un complessivo arricchimento della parte bassa. A completamento della evoluzione sonora del Subsequent 37 abbiamo rivisto il circuito Multidrive, che si estende ora ben oltre il b'"'grit and growlb'"' del Sub 37 originale. In aggiunta al potenziamento del sound engine, il Subsequent 37 offre una tastiera aggiornata per una migliore suonabilitb'/xc3/xa0', un amplificatore per cuffia potenziato e sufficientemente potente per essere utilizzato con le cuffie pib'/xc3/xb9' esigenti, ed un plugin/editor software sia per Windows che per Mac. Architettura: Tastiera 37 note: Leggera, con swift action e aftertouch Uscita cuffie High-Power: Puoi preparare i tuoi suoni anche nellb'/xe2/x80/x99'ambiente pib'/xc3/xb9' rumoroso Modulazione e sequencing esteso: 2 mod bus assegnabili, 2 inviluppi DAHDSR looping e un arpeggiatore/sequencer ultra potente 256 Preset: 16 banchi di 16 patch Editor software gratuito: Funziona come un plugin per DAW o come editor standalone Sound Engine: 100% Analogico Polifonia: Selezionabile Monofonico o Parafonico Controller: Pitch Bend, Mod Wheel, After Pressure, Velocity Fonti Sonore: 2 Oscillatori Variable Waveshape, 1 Oscillatore Square Wave Sub, 1 Generatore di Analog Noise, 1 External Input/Filter Feedback Range di calibrazione oscillatore: 22Hz-6,8kHz, Note Range A 8' = 18 - 116 Modulo Glide: Assegnabile a Osc1/Osc2/Entrambi. Tipo - Lcr, Lct, Exp, Gated, Legato Filtro: 20Hz-20kHz Moog Ladder Filter W/ 6/12/18/24 Db/Oct Filter Slope e Multidrive Trasposizione: +/- 2 Ottave Arpeggiatore/Sequencer: Up, Down, Order, Random, Latching, Back/Forth, Invert, +/-2 Range, Tie, Rest, Midi Sync, Sequencer 64-Note Fonti: LFO (Triange, Square, Saw, Ramp, Sample b'&' Hold), Filter Eg/Pgm Fonti Programmabili: Amp Env, Constant On, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, e Seq Mod Destinazioni: Osc 1 Pitch, Osc 2, Osc 1 b'&' 2 Pitch, Filter, LFO Rate, Vca Level, Osc 1 Wave, Osc 2 Wave, Osc 1 b'&' 2 Wave, Noise Level, Eg Time/Pgm Destinazioni Programmabili: Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide Osc Choice, Glide Type, Glide Gate, Glide Legato, Glide On, Lfo 1 Clock Division, Lfo 1 Range, Lfo 1 Sync, Lfo 1 Keyboard Reset, Lfo 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, Lfo 2 Clock Division, Lfo 2 Range, Lfo 2 Sync, Lfo 2 Keyboard Reset, Lfo 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 Duo Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, Bend Down Caratterisrtiche Pannello LFO: Hi/Low Range da 0.01Hz-1kHz, Midi Sync, Kb Reset Inviluppi: Inviluppi DAHDSR con Multi-Trigger, Reset, Looping, Midi Sync, Latch, e controllo variable di Eg Delay, Hold, Velocity Amount, Kb Tracking Dimensioni: 171 x 679 x 355mm Peso: 10kg

BACK TO THE FUTURE: Music Man Bass Amps are made by adding to the original look and classic tone concepts the current advanced technology and the innovations from Marco De Virgiliis that put Markbass at the top of the bass amplification worldwide! The BH 500 amp features a solid state preamp and a 500-watt analog power amp with an impeccable bass frequency reproduction and incredibly warm tone. Starting from the Treble and Bass EQ basic controls the rich 5 band EQ section allows to taylor the sound of your bass for any kind of music style. SUGGESTED SELLING POINT > “A well known face” The fine bass amps manufactured by Music Man in the mid-to late-1970s have earned the trust and respect of musicians worldwide for their classic tone and impeccable sonic integrity. When we can find “a well known face” behind a brand, we can also find an unprecedented loyalty and trust from their customers: they know exactly what to expect when they purchase this product. > Solid state preamp, complete EQ section, 500 W analog power The BH 500's solid-state preamp has a warm and natural sound, and faithfully reproduces the true tone of your instrument, thanks to the complete and effective 5 band EQ section you can have a wide range of tones, allowing instant access to two different EQ settings as it’s footswitchable—a very useful feature for live applications. The 500-watt analog power amp supplies great attack and definition with impeccable bass frequency reproduction. > Back to the future The BH 500 respects the seventhy design adding the benefit of new modern standard, with a long term reliability thanks to our advanced production procedures, state-of the-art testing, quality control facilities and top-quality components. > Great tone in a lightweight package In addition to the great tone the BH 500 has an incredible lightweight package: only 13.66 lbs /6.2 Kg

Marchio: Source Audio Categoria: Pedali Compressori 6 tipi di Compressione selezionabili 3 preset memorizzabili per ogni posizione dell switch dedicato (il richiamo comprende l'impostazione delle manopole indipendentemente dalla loro posizione corrente) Controlli di Threshold, Ratio(Tone), Blend(Atk) e Output(Rel) Ingresso e uscita stereo utilizzabili come: input e output mono/Input mono e uscita stereo/input e output mono utilizzando gli addizionali In e Out come Loop esterno Altri tipi di compressore disponibili tramite Neuro App - Accesso a ulteriori controlli di Feedback, Ratio, Attack, Release, Makeup Gain, Mix, Tone tramite Neuro App Funzioni ''Look Ahead Compression'' e ''Side Chain Compression'' Equalizzatore a 3 bande parametrico o grafico a 8 bande Bypass selezionabile buffered/true bypass Ingresso ''Control In'' compatibile coi pedali d'espressione Source Audio, Hot Hand 3, Universal Wireless Effects Controller 128 preset memorizzabili tramite l'applicazione per smartphone Neuro Mobile App Alimentatore incluso Codice produttore: Source Audio SA252 Atlas Compressor