Minimum noise level

DBX 122 NOISE REDUCTION SYSTEM Channels: 2 Input sensitivity: 300mV Output level: 7V (max) Noise reduction system: dbx II Spedizioni in tutto il mondo. Contatti cell.3283746218

Subsequent 37 b'/xc3/xa8' un sintetizzatore analogico parafonico (2-note) realizzato da Moogb'/xc2/xa0' sullb'/xe2/x80/x99'architettura pluri premiata del potentissimo Sub 37 Tribute Edition. Sul pannello di controllo si trovano 40 potenziometri e 74 selettori che vi daranno un immediato controllo su una vasta gamma di tools per il sound design analogico e il controllo del sequencer. Ogni miglioramento del nuovob'/xc2/xa0' Subseq uent 37,b'/xc2/xa0' mantiene la magia e le caratteristiche del suo predecessore, offrendo allo stesso tempo accesso a nuove dimensioni di sonoritb'/xc3/xa0' e una suonabilitb'/xc3/xa0' migliorata. La sezione mixer del Subsequent 37 offre il doppio di headroom del Sub 37 Tribute Edition. Questo consentirb'/xc3/xa0' di accedere ad una nuova gamma di suonoritb'/xc3/xa0' classiche pulite sia in modalitb'/xc3/xa0' mono che duo. Sfruttando la nuova flessibilitb'/xc3/xa0' del mixer, lo stage di guadagno nel filtro Ladder b'/xc3/xa8' stato ridisegnato per aumentare la saturazione armonica e la compressione analogica, che porta ad un complessivo arricchimento della parte bassa. A completamento della evoluzione sonora del Subsequent 37 abbiamo rivisto il circuito Multidrive, che si estende ora ben oltre il b'"'grit and growlb'"' del Sub 37 originale. In aggiunta al potenziamento del sound engine, il Subsequent 37 offre una tastiera aggiornata per una migliore suonabilitb'/xc3/xa0', un amplificatore per cuffia potenziato e sufficientemente potente per essere utilizzato con le cuffie pib'/xc3/xb9' esigenti, ed un plugin/editor software sia per Windows che per Mac. Architettura: Tastiera 37 note: Leggera, con swift action e aftertouch Uscita cuffie High-Power: Puoi preparare i tuoi suoni anche nellb'/xe2/x80/x99'ambiente pib'/xc3/xb9' rumoroso Modulazione e sequencing esteso: 2 mod bus assegnabili, 2 inviluppi DAHDSR looping e un arpeggiatore/sequencer ultra potente 256 Preset: 16 banchi di 16 patch Editor software gratuito: Funziona come un plugin per DAW o come editor standalone Sound Engine: 100% Analogico Polifonia: Selezionabile Monofonico o Parafonico Controller: Pitch Bend, Mod Wheel, After Pressure, Velocity Fonti Sonore: 2 Oscillatori Variable Waveshape, 1 Oscillatore Square Wave Sub, 1 Generatore di Analog Noise, 1 External Input/Filter Feedback Range di calibrazione oscillatore: 22Hz-6,8kHz, Note Range A 8' = 18 - 116 Modulo Glide: Assegnabile a Osc1/Osc2/Entrambi. Tipo - Lcr, Lct, Exp, Gated, Legato Filtro: 20Hz-20kHz Moog Ladder Filter W/ 6/12/18/24 Db/Oct Filter Slope e Multidrive Trasposizione: +/- 2 Ottave Arpeggiatore/Sequencer: Up, Down, Order, Random, Latching, Back/Forth, Invert, +/-2 Range, Tie, Rest, Midi Sync, Sequencer 64-Note Fonti: LFO (Triange, Square, Saw, Ramp, Sample b'&' Hold), Filter Eg/Pgm Fonti Programmabili: Amp Env, Constant On, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, e Seq Mod Destinazioni: Osc 1 Pitch, Osc 2, Osc 1 b'&' 2 Pitch, Filter, LFO Rate, Vca Level, Osc 1 Wave, Osc 2 Wave, Osc 1 b'&' 2 Wave, Noise Level, Eg Time/Pgm Destinazioni Programmabili: Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide Osc Choice, Glide Type, Glide Gate, Glide Legato, Glide On, Lfo 1 Clock Division, Lfo 1 Range, Lfo 1 Sync, Lfo 1 Keyboard Reset, Lfo 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, Lfo 2 Clock Division, Lfo 2 Range, Lfo 2 Sync, Lfo 2 Keyboard Reset, Lfo 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 Duo Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, Bend Down Caratterisrtiche Pannello LFO: Hi/Low Range da 0.01Hz-1kHz, Midi Sync, Kb Reset Inviluppi: Inviluppi DAHDSR con Multi-Trigger, Reset, Looping, Midi Sync, Latch, e controllo variable di Eg Delay, Hold, Velocity Amount, Kb Tracking Dimensioni: 171 x 679 x 355mm Peso: 10kg

Satellite finder Misuratore di Segnale Analogico per Direct TV SAT Accord Mini satellite finder Misuratore di Segnale Analogico per Direct TV SAT Orientamento Parabola Strumento di grande precisione per l'orientamento della parabola e la ricezione del segnale televisivo migliore Si tratta di un satfinder (trovatore di satelliti) controllato da un microprocessore ad alta tecnologia, che lo rende molto affidabile ed accurato La forza del segnale è presentata graficamente sul display LCD retro-illuminato. Ã^ molto sensibile e può individuare il più debole dei segnali. Frequenza 950-2150Mhz Looking for a same functional and performance with SF-9502, the price is much lower satellite finder ? Then this is your ideal stuff. Band 22K and H / V indicator is to satellite finder weapon, With their installation stars it becomes easy Features: Online IF signal strength meter excellent sensitivity, DC can pass to LNB and internal light, Built 0/22KHz 13/18V LED and buzzer Elegant appearance, easy to carry Input Frequency: 950-2150MHz / Supply voltage: 13-18V DC Maximum input level: -10dBm Minimum input level: -40dBm Learn ABC Communications Satellite Finder SF-95 to use 1, the satellite finder satellite receiver connected to the LNB on the antenna between. 2, adjusting satellite finder on the front panel knob, pointer on the dial "5" position. 3, adjusting the antenna azimuth and elevation, while satellite finder to the maximum angle of deflection of the pointer, the front panel adjustment knob counterclockwise, so that the part of the received signal attenuation, and then adjust the antenna azimuth, elevation and the LNB polarization angle, until the satellite finder until the pointer is no longer increasing. 4, with the satellite receiver determines whether the signal is the desired satellite signal. If it is, remove the finder device, the receiver can be connected with the LNB again; if the received signal is not the desired satellite signal, repeat the above work. Common phenomenon 1 - satellite finder pointer refers to the maximum point, but there is no signal. Because satellite finder signal received by the antenna direction only preliminary judge whether there is a star, rather than the desired signal is directly displayed on the satellite finder on the dial, it's just looking out signals an auxiliary device. 2 - In the case where the antenna is not adjusted, the pointer always refers to the maximum point. Check that the antenna is facing the front or the front of the building is blocked, if there is no such phenomenon exists, indicating that at this time LNB gain is too large, need to lose satellite finder signal attenuation part. Learn SF-95 satellite finder to use A cable. Instruments. TV antenna connection Operation 1 - The satellite finder side labeled "TO LNB" connected to the antenna tuner at the other side labeled "TO REC" is connected to the receiver, and the receiver and the TV turned on. 2 - receiver is turned on, the receiver out of the voltage supply 13-18V, check whether there is satellite finder lights, lights indicate satellite finder is working properly. 3 - Set the receiver in satellite data to be received. (Including local oscillator frequency, downlink frequency, symbol rate, polarization, etc.) and open to signal strength, signal quality cursor state. B finder dashboard Operation: 1 satellite finder attenuator spiral configuration, is to adjust the signal attenuation of the size of the receiver is powered, operable screw attenuator control the pointer on the scale in Table 5 grid, satellite finder will issue a faint sound, this time, a slight shake antenna near you looking for stars, satellite finder found out signal is input, the sound will increase, the pointer will also rise between cells table 8-10 scale or higher, indicating a star signal input. At this point the receiver signal quality combined with the cursor to see if what you're looking for stars. 2 satellite finder does not recognize the user to find the star signal, where there are star signal input, satellite finder always show a signal. At this time only to find out from the star receiver input signal quality parameter the cursor up to confirm. 3. Ku-band can be directly connected, C-band tune out when you need satellite finder to LNB between the string into a power splitter cable or 100 meters, in order to attenuate the signal, or satellite finder is a result of self-excited hands can not come down. 4 between the tall buildings or strong interference zone for stars, satellite finder will lead to self-excited whistle and hands can not come down. C if satellite finder signal is received and the digital machine failed to show a signal when the following situations 1 user is not looking out signals. 2 LNB polarization. Focal placement errors need to be adjusted. 3 signal is weak, turn the pointer through the bad parts is transferred between 4-5, re-adjust the antenna or LNB, the signal again increases. 4 satellite finder pointer refers to the maximum point, but there is no signal. Because satellite finder signal received by the antenna direction only preliminary judge whether there is a star, rather than the desired signal is directly displayed on the satellite finder on the dial, it's just looking out signals an auxiliary device. 5, in the case where the antenna is not adjusted, the pointer is always the maximum at the finger. Check that the antenna is facing the front or the front of the building is blocked, if there is no such phenomenon exists, indicating that at this time LNB gain is too large, need to lose satellite finder signal attenuation part

Vendesi mixer 10 canali Mixing capability 2 Mono + 4 Stereo CH1-2: HPF, Compressor, 3-band PEQ, Intert I/O; CH3-6: HPF, 3-band PEQ; CH7-10: 2-band PEQ AUX 1 MAIN Stereo Input channel functions CH1-2: HPF, Compressor, 3-band PEQ, Intert I/O; CH3-6: HPF, 3-band PEQ; CH7-10: 2-band PEQ Mic inputs 4 Phantom power +48V DC; ON/OFF Line inputs 4x Stereo, Return, 2tr in Total harmonic distortion Less than 0.1% Frequency response 0, +1.0, -3dB 20Hz-20kHz Hum & noise level Equivalent input noise -128dBu Residual output noise -100dBu Crosstalk Use PA-10 AC Adaptor (AC38VCT, 0.62A); Depend on area of purchase; AC100V, 120V or 220-240V; 50/60Hz Alimentatore originale e valigetta inclusi. Gradita consegna a mano.

Marchio: Moog Music Categoria: Sintetizzatori Desktop ed Eurorack Sound Engine: Analogico Sequencer Analogico: 8 Step con pitch e velocity per-step Controlli del pannello Sequencer: Tempo, Run/Stop, Trigger, Advance Fonti sonore: 2 Oscillatori con forme d'onda quadre e triangolari, 1 generatore di rumore bianco, 1 ingresso audio esterno Controllo della frequenza: +/- 5 Ottave (gamma di 10 ottave) Mixer: Controlli di livello per Oscillator 1, Oscillator 2 e White Noise / External Audio Input Filtro: 20Hz-20kHz filtro Low-Pass/High-Pass a transistor a 4-Poli commutabile Inviluppi: VCO, VCF, VCA Patchbay: 24 Jack da 3,5mm Patchbay Input: Trigger, VCA, CV, Velocity, VCA Decay, Audio esterno, VCF Decay, Noise Level, VCO Decay, VCF Mod, VCO 1 CV, 1 to 2 Fm Amount, VCO 2 CV, Tempo, Run / Stop, Advance / Clock Uscite Patchbay: Vca, Vca Eg, Vcf Eg, Vco Eg, Vco 1, Vco 2, Trigger, Velocity, Pitch Uscita audio: 1/4" TS Line / 1/4" TRS Headphones (Jack output condiviso) Alimentatore incluso: 100-240V; 50-60Hz, +12V DC 1200mA Consumo di energia: 3 Watt Eurorack Current Draw: 230mA (+12V - da Header 10-Pin) Dimensioni di montaggio Eurorack: 60hp (profondità modulo 1"/ 26mm) Dimensioni: 319 x 107 x 133 mm Peso: 1,6 kg

Marchio: sE Electronics Categoria: DI Box Ingresso Ultra-HiZ per ottenere il meglio dal tuo strumento Enorme headroom Switch di messa a terra dotato di un'esclusiva impostazione ON+ Jack di ingresso da ¼" bloccabile per evitare disconnessioni accidentali Amplificatore buffer di uscita in classe A dedicato Sottile custodia interamente in metallo e connettori XLR dorati Electrical Impedance: 86 Ohms Connectivity: Input: 6.3 mm (1/4 in.) TRS jack - Output: 3-pin male XLR connector Powering: 48V Phantom Power (P48 according to IEC 61938) Frequency range: 10 Hz - 120 kHz (-0.3 dB) Current consumption: 3.8 mA Max input level (0.5% THD): 19 / 34 / 49 dBV (9.0 / 51 / 285 V) Output noise level. 1 μV

Marchio: Sontronics Categoria: Microfoni a Nastro Microfono attivo a nastro Diagramma polare a 8 Risposta in frequenza: 20Hz - 15kHz Max SPL (per 0.5% THD @ 1kHz): 125dB Sensibilità: 18mV/Pa -33dB ±1.5dB (0dB = 1V/Pa @ 1,000Hz) Impedenza: 150 Ohm Equivalent noise level: 10dB Richiesta Phantom Power a 48V Include il supporto ed una flight case Dimensioni: 164 x 50 x 32 mm Peso: 421 g

Marchio: Audiophony Categoria: Finali di potenza Class-D amplifier Switched-mode power supply Mode selection: Stereo, Bridge or Parallel Independent limiter for each channel Extremely accurate and independent level settings for each channel LEDs indicators Convection cooled Balanced Jack TRS and XLR inputs Unbalanced RCA outputs Binding post-jacks or speakON outputs Short-circuit, over current and high temperature independent protections for each channel 2x19" rack mount spaces Stereo Max power: 4 Ω RMS stereo power (minimum): 2 x 150 W RMS; 8 Ω RMS stereo power: 2 x 80 W RMS Mono bridged Max power: 8 Ω bridged power (minimum): 1 x 300 W RMS Signal-to-noise ratio Less than 90 dB Input sensitivity: 4 dBu +/-2 dB Distortion: THD at 1 kHz 1/2 rated power Less than 0.1%; Slew rate: - 65 dB at 1 kHz; Frequency response (4 Ω/1 W): +0.5 dB; 20 Hz-20 kHz Input impedance: unbalanced 15 kΩ / Balance 30 kΩ Clip: 0 dBr Cooling: Convection cooled Input connectors: XLR3-F, Balanced 6.35 mm TRS-F jack + Unbalanced RCA Output connectors: Binding post-jacks + 4-pole speakON® Front control panel: AC power switch, Channel 1 and 2Volume Rear control panel: Mode selection button Indicators: Protect (red) / Clip (yellow) / Signal (green) Protections: Short-circuits, over current and high temperature protected Power supply: 100/230 V AC - 50/60 Hz Dimensions: 482 mm x 44 mm x 330 mm NetWeight: 4.3 kg

Marchio: Audiophony Categoria: Finali di Potenza Class-D amplifier Switched-mode power supply Mode selection: Stereo, Bridge or Parallel Independent limiter for each channel Extremely accurate and independent level settings for each channel LEDs indicators Convection cooled Balanced Jack TRS and XLR inputs Unbalanced RCA outputs Binding post-jacks or speakON outputs Short-circuit, over current and high temperature independent protections for each channel 2x19" rack mount spaces Stereo Max power: 4 Ω RMS stereo power (minimum): 2 x 150 W RMS; 8 Ω RMS stereo power: 2 x 80 W RMS Mono bridged Max power: 8 Ω bridged power (minimum): 1 x 300 W RMS Signal-to-noise ratio Less than 90 dB Input sensitivity: 4 dBu +/-2 dB Distortion: THD at 1 kHz 1/2 rated power Less than 0.1%; Slew rate: - 65 dB at 1 kHz; Frequency response (4 Ω/1 W): +0.5 dB; 20 Hz-20 kHz Input impedance: unbalanced 15 kΩ / Balance 30 kΩ Clip: 0 dBr Cooling: Convection cooled Input connectors: XLR3-F, Balanced 6.35 mm TRS-F jack + Unbalanced RCA Output connectors: Binding post-jacks + 4-pole speakON® Front control panel: AC power switch, Channel 1 and 2Volume Rear control panel: Mode selection button Indicators: Protect (red) / Clip (yellow) / Signal (green) Protections: Short-circuits, over current and high temperature protected Power supply: 100/230 V AC - 50/60 Hz Dimensions: 482 mm x 44 mm x 330 mm NetWeight: 4.3 kg

Akiyama mx-1 usb professional dj mixer. come nuovo, usato solo una volta. vendo per mancato interesse nell'utilizzo. compreso di scatola originale e manuale. 90 euro + spese postali- 2 stereo channels (2 phono and 2 lines). mic channel (jack connector). 2 usb ports master output (1xrca) treble and bass tone control each channel with -12db cut. cue monitoring (headphones) with level control. master level. detachable crossfader. black colour. input level line: -14db/47k ohm +/- 3db phono: -50db/47k ohm +/- 3db mic: -54db/6k ohm +/- 3db output level master (rca): 0db/47k ohm +/-3db phones (load=32 ohm): -3db/33k ohm +/-3db max. output level (load =47k, thd=5%) master (rca): more than 18db (8v) phones (load=32 ohm): more than 5db (1.8v) channel balance: within 3db frequency response line: 20-20 khz +/- 3db phono: 20-20 khz +2, -3db (riia) mic: 20-20 khz +2, -3db output noise line: less than -75db phono: less than -65db mic: less than -55db distortion master output (load=47k ohm): less than 0.2% phones output(load=32ohm): less than 0.3% crosstalk more than 50db at 1khz between l and r channels equalizer low: +9/-26db +2/-3db a 100hz hi: +9/-26db +2/-3db a 10hz mic equalizer low: +10/-10db +2/-3db a 100hz hi: +10/-10db +2/-3db a 10hz usb section playback (eq flat, fader y master max) output: 0db (1v) +/-2db (-20dbfs, 1khz, gain max) thd+n: less than 0.02% (0dbfs, 1khz; w/ 20khz lpf, gain at 50%) frequency response: 20-20khz +/-2db (gain at 50%) s/n ratio: more than 89db (w/20khz lpf, a-weighed, gain a 50%) channel separation: more than 70db a 1khz (0dbfs, w/20khz lpf, a-weighted, gain at venter) recording and playback (line 1khz, -14dbv input, gain max) output: 4dbv (1.57v) +/-2db tdh+n: less than 0.05% general power consumption: ac9v (220v) dimensions: 228(w)x87(h)x265(d) mm weight: 2.8 kg includes 1 main unit (mx-1usb) 1 instruction manual 1 ac adaptor

Marchio: KORG Categoria: Sintetizzatori a Tastiera Tastiera: 61 tasti sensibili alle velocity con aftertouch Polifonia massima: 80 voci (Il numero massimo di voci può variare a seconda delle impostazioni) Generazione sonora: Altered FM Struttura: 6 operatori, 1 filtro, 3 EG, 3 LFO, 3 effetti, step sequencer e arpeggiatore Algoritmi: 40 preset + user algorithm (unico per ciascun program) Operatori: 6 modalità (FM, Ring Mod, Filter, Filter FM, Wave Folder ed Effect) 21 forme d’onda per gli oscillatori: Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White. 11 tipi di filtro: LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12) 3 Inviluppi: ADSR LFO (23 forme d’onda): Triangle, Saw Down, Saw Up, Square, Sine, Sampleb'&'Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvlb'&'Time, StepRnd:Level, Random:Time, Random:Lvlb'&'Time, Triangle +, Saw Down +, Saw Up +, Square +) Virtual Patch: 12 routing Processore d’effetti (30 tipi): Chorus, Unison Ensemble, Phaser, Phaser (BPM), Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM), Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM), Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM), Early Reflection, Reverb, Shimmer Reverb, Spring Reverb) Sequencer: Step Sequencer 16 steps (6 note per step), Motion Sequencer (6 linee per automazione parametri) Arpeggiatore: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) Program (suoni): 500 (350 preset e 150 user) FAVORITE: 64 (16 Slot × 4 banchi) Controller: rotelle MODULATION e PITCH, RATIO OP 6 manopole, LEVEL OP 6 slider, 6 manopole DATA ENTRY Uscite audio: L (mono) e R su prese Jack TRS da 6.3mm (1/4”) Uscita cuffia: Jack TRS (stereo) da 6.3mm (1/4”) Connessioni MIDI: MIDI IN b'&' OUT DIN; MIDI via USB tipo “B” Ingresso per pedale: Damper Jack 6.3mm (1/4”); half-damper NON supportato Alimentazione: Adattatore (incluso) AC KORG KA-390 (DC12V) Consumo: 5 W Dimensioni e peso: 565×338×90mm; 2.9 KG Accessori inclusi: Adattatore AC (KORG KA-390), Custodia rigida brandizzata KORG Accessori Compatibili (venduti a parte): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

KORG Opsix se Marchio: KORG Categoria: Sintetizzatori a Tastiera Tastiera: 61 tasti sensibili alle velocity di con aftertouch Polifonia massima: 80 voci (Il numero massimo di voci può variare a seconda delle impostazioni) Generazione sonora: Altered FM Struttura: 6 operatori, 1 filtro, 3 EG, 3 LFO, 3 effetti, step sequencer e arpeggiatore Algoritmi: 40 preset + user algorithm (unico per ciascun program) Operatori: 6 modalità (FM, Ring Mod, Filter, Filter FM, Wave Folder ed Effect) 21 forme d’onda per gli oscillatori: Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White. 11 tipi di filtro: LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12) 3 Inviluppi: ADSR LFO (23 forme d’onda): Triangle, Saw Down, Saw Up, Square, Sine, Sampleb'&'Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvlb'&'Time, StepRnd:Level, Random:Time, Random:Lvlb'&'Time, Triangle +, Saw Down +, Saw Up +, Square +) Virtual Patch: 12 routing Processore d’effetti (30 tipi): Chorus, Unison Ensemble, Phaser, Phaser (BPM), Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM), Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM), Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM), Early Reflection, Reverb, Shimmer Reverb, Spring Reverb) Sequencer: Step Sequencer 16 steps (6 note per step), Motion Sequencer (6 linee per automazione parametri) Arpeggiatore: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) Program (suoni): 500 (350 preset e 150 user) FAVORITE: 64 (16 Slot × 4 banchi) Controller: rotelle MODULATION e PITCH, RATIO OP 6 manopole, LEVEL OP 6 slider, 6 manopole DATA ENTRY Uscite audio: L (mono) e R su prese Jack TRS da 6.3mm (1/4”) Uscita cuffia: Jack TRS (stereo) da 6.3mm (1/4”) Connessioni MIDI: MIDI IN b'&' OUT DIN; MIDI via USB tipo “B” Ingresso per pedale: Damper Jack 6.3mm (1/4”); half-damper NON supportato Alimentazione: Adattatore (incluso) AC KORG KA-390 (DC12V) Consumo: 5 W Dimensioni e peso: 565×338×90mm; 2.9 KG Accessori In dotazione: Adattatore AC (KORG KA-390), Custodia rigida brandizzata KORG Accessori Compatibili (venduti a parte): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

KORG Opsix se platinum Marchio: KORG Categoria: Sintetizzatori a Tastiera Tastiera: 61 tasti sensibili alle velocity con aftertouch Polifonia massima: 80 voci (Il numero massimo di voci può variare a seconda delle impostazioni) Generazione sonora: Altered FM Struttura: 6 operatori, 1 filtro, 3 EG, 3 LFO, 3 effetti, step sequencer e arpeggiatore Algoritmi: 40 preset + user algorithm (unico per ciascun program) Operatori: 6 modalità (FM, Ring Mod, Filter, Filter FM, Wave Folder ed Effect) 21 forme d’onda per gli oscillatori: Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White. 11 tipi di filtro: LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12) 3 Inviluppi: ADSR LFO (23 forme d’onda): Triangle, Saw Down, Saw Up, Square, Sine, Sampleb'&'Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvlb'&'Time, StepRnd:Level, Random:Time, Random:Lvlb'&'Time, Triangle +, Saw Down +, Saw Up +, Square +) Virtual Patch: 12 routing Processore d’effetti (30 tipi): Chorus, Unison Ensemble, Phaser, Phaser (BPM), Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM), Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM), Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM), Early Reflection, Reverb, Shimmer Reverb, Spring Reverb) Sequencer: Step Sequencer 16 steps (6 note per step), Motion Sequencer (6 linee per automazione parametri) Arpeggiatore: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) Program (suoni): 500 (350 preset e 150 user) FAVORITE: 64 (16 Slot × 4 banchi) Controller: rotelle MODULATION e PITCH, RATIO OP 6 manopole, LEVEL OP 6 slider, 6 manopole DATA ENTRY Uscite audio: L (mono) e R su prese Jack TRS da 6.3mm (1/4”) Uscita cuffia: Jack TRS (stereo) da 6.3mm (1/4”) Connessioni MIDI: MIDI IN b'&' OUT DIN; MIDI via USB tipo “B” Ingresso per pedale: Damper Jack 6.3mm (1/4”); half-damper NON supportato Alimentazione: Adattatore (incluso) AC KORG KA-390 (DC12V) Consumo: 5 W Dimensioni e peso: 565×338×90mm; 2.9 KG Accessori inclusi: Adattatore AC (KORG KA-390), Custodia rigida brandizzata KORG Accessori Compatibili (venduti a parte): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Marchio: Marani Pro Audio Categoria: Finali di Potenza Power output: 8 x 250 W @ 4Oohm 4 x 500W @ 8ohm (modalità bridge)- 2 Switched-Mode con PFC attivo e auto voltage sensing - Classe D, modulatore full PWM larghezza di banda con distorsione ultra bassa- Circuiti di protezione completa con Over-Current, Over / Under-Voltage, uscita DC e sovra-temperatura - 8 ingressi Mic/Line, 8 uscite con mixaggio DSP Engine: 3 bande di equalizzazione parametrica per ogni canale di ingresso - 5 bande di equalizzazione parametrica per ogni canale di uscita - Gain Control, Noise Gate, Feedback Eliminator (Mic input only) per canale input - Tempo di ritardo regolabile fino a 850 ms per ogni canale di ingresso e di uscita Direct PC/Network Connection: Connettore USB sul pannello frontale per le connessioni dirette al PC - Interfaccia Ethernet RS485 per la configurazione del sistema, monitoraggio e controllo remoto Controlli: Pannello di controllo Display LCD interattivo anteriore per l'accesso e la configurazione locale - 4 ingressi digitali per ulteriori 4 selezioni predefinite con configurazione priorità - 4 porte di uscita digitali per l'attivazione di dispositivi esterni- Software per dispositivo Apple iPad che consente il controllo simultaneo fino a 32 unità, l'impostazione di tutti i parametri, mostrando i livelli in tempo reale - Telecomando opzionale Marani CP4 Wall Panel Numero di canali: 8 Max Output Power @8ohm: 8 x 125W 4 x 250W (Bridge) Max Output Power @4ohm: 8 x 250W; 4 x 500W (4? BTL Mode selected) Circuito di uscita: Classe D Output Voltage: 70 Vp / 140 Vpp (unloaded) / Bridged 140 Vp / 280 Vpp (unloaded) THD @ Rated power 4ohm (1kHz): b' Rapporto segnale rumore:b'>' 120 dB (A ponderato, 20 Hz - 20 kHz, carico di 8ohm) Risposta in Frequenza: 20 Hz - 20 kHz ± 0,15 dB (8ohm di carico, 1 dB potenza nominale di seguito) Fattore di smorzamento: b'>'1000 (8ohm di carico, 1kHz e sotto) Alimentazione: Due alimentatori switching indipendenti con PFC (Power Factor Correction) Raggio di azione: Universale di rete, 85-265V Consumo / assorbimento di corrente e la dissipazione termica 230V: - 22.4W / -A / 76.6 BTU/h (Idle)- 346W / -A / 286.8 BTU/h (I/8 max. power@4ohm) Protezioni: Over-Current, Over/Under Voltage, Output DC and Over-Temperature Analog Input: 8 elettronicamente bilanciati; Max Input Level: Line +18dBu; Mic -18dBu Analog Output: 8 electronically balanced; Max Output Level: +18dBu /AD b'&' DA Converters: 1x AK5385B 24bit, 2x AK4358 24bit DSP Engine: Dream SAM3716, 24bit (data) x 6 bit (coeff.) Risoluzione DSP: 24 × 32 bit per il processo di filtraggio; Risoluzione 6 bit sui risultati di calcolo intermedi Equalizzazione input: parametrico a 3 bande selezionato come Peaking o Low/High Shelving con Q variabile per ogni canale di ingresso Equalizzazione Output: parametrico a 5 bande selezionato come Peaking o Low/High Shelving con Q variabile per ogni canale di uscita Filter Gain: da -12dBu fino a +12dBu by 0.5dBu per punti di risoluzione Centro di Frequenza: Selezionabile con un 1/24 di risoluzione ottava step da 20Hz fino a 20kHz Filtro Q/BW: da 0,4 fino a 10 da 0,1 punti di risoluzione Crossover Section HPF/LPF: - Butterworth 6/12/18/24/48dB per ottava- Bessel, Linkwitz-Riley personalizxabili 12/18/24/48dB per ottava - Filter resolution 1/24th di ottava RMS Compressor e Peak Limiter:- Soglia da 18dBu fino a -30dBu - Tempo di attacco da 5ms a 200ms (risoluzione di 1ms a 20ms, 10ms risoluzione fino a 100 ms e risoluzione di 20 ms fino a 200 ms)- Tempo di rilascio da 0,1 sec a 3 sec (risoluzione 0,1 sec)- Rapporto da 1: 1 a 32: 1 (Compressore solo) Risposte Eliminator: Pitch Shifting algoritmo solo per i canali di ingresso Mic Pannello Frontale: Display LCD 2×24 con retroilluminazione LED verdeMeter - 6-LED status indicators per channel (Line, Mic, FBK, Signal, Clip, Limiter)- 1-LED indicator Phantom Power- 6 x preset selection push button switch- Connettore USB di tipo B Pannello posteriore: 2 x 12 pin Phoenix connector (Mic/Line Input)- 2 x 12 pin Phoenix connector (Line Output)- 2 x 8 pin Phoenix connector (Speaker Outputs)- 2 x 4 pin Phoenix connector (S1-S4 digital input ports - TTL level 0-5V)- 2 x 4 pin Phoenix connector (S1-S4 digital output ports - TTL level 0-5V)- 2 x RJ45 per RS485 In/Out - 1 x RJ45 con activity LEDs (10/100 TCP-IP) - IEC C13 16A connector; Power on /off switch Dimensioni: 483x89x515 mm 2RU Peso: 12 Kg

Vendo deck piastra a cassette a nastro AIWA AD-370 perfettamente funzionante ha tasti servoassistiti dolby B-C e HX PRO regolazione manuale del bias la parte superiore ha ancora la pellicola in plastica da togliere Description The AD-F370 is a superb 2-head deck with the accent on easy operation and great music fidelity. A host of advanced features make the AD-F370 a remarkable sound value. Operation is easy thanks to the feather touch logic IC controls, which also enable Cue and Review operations for the speedy location by sound of desired musical passages. Dolby HX professional is incorporated for improved high frequency response regardless of tape type, while Dolby B and C noise reduction are also included to reduce tape hiss. Superb sound linearity is assured by the amorphous head, while the C,H and U versions feature Aiwa's super hard DX head for a corresponding level of performance. Specifications Type: 2-head, single compact cassette deck Track System: 4-track, 2-channel stereo Tape Speed: 4.8 cm/s Heads: 1 x record/playback, 1 x erase Motor: DC servo Tape Type: type I, CrO2, Metal Noise Reduction: B, C, HX Pro Frequency Response: 20Hz to 18kHz (Metal tape) Signal to Noise Ratio: 78dB (dolby C) Wow and Flutter: 0.065% Input: 50mV (line) Output: 0.35V (line) Dimensions: 430 x 127.5 x 233.4mm Weight: 3.3kg Year: 1989